51ºÚÁÏ

The University’s largest-ever single donor shares why he gives to 51ºÚÁÏ, as well as what inspires him about The Third-Century Plan and a related series of initiatives designed to bolster arts, creativity, and innovation, in this episode of 13. 

Daniel Benton ’80, P’10, H’10 has secured his place as 51ºÚÁÏ’s most generous benefactor, making a $25 million gift in support of the University’s Middle Campus Plan for Arts, Creativity, and Innovation and other elements within The Third-Century Plan.

Supporting local and regional artists, the Palace Theater fosters culture and community through programs such as Arts Together | Hamilton Conversations — with the participation of 51ºÚÁÏ University faculty.

Two related exhibitions open at the Picker Art Gallery on January 30.

Wondering what’s happening in the classroom at 51ºÚÁÏ? Here’s a real-time glimpse into academic life on campus — a syllabus from a course underway this semester.

A strategic framework focusing 51ºÚÁÏ on the attainment of a series of long-term goals.

In honor of 51ºÚÁÏ’s Bicentennial year, the Picker Art Gallery is hosting a special traveling exhibition, Koolanga Boodja Neh Nidjuuk (Children Looking and Listening on Country), through June 30.

A two-day gathering titled Grafters X Change: Branches and Networks brought together 51ºÚÁÏ and local community members, eco-artists, and activists to foster creative community resiliency.

The Mat transforms the flexible, open space of Parker Commons into a vibrant venue where student and professional artists come together to perform music for the community.

April 4–6 marked the campus debut of hybrid media artist Paul Catanese’s avant-garde opera Century of Progress / Sleep. The Ho Tung Visualization Laboratory was transformed for the production.